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Review of by Jim H — 19 Jul 2013

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Ernest Hemingway meets his match in the person of a fellow war correspondent, Martha Gellhorn.

Despite the order of the title, this is a film about Martha Gellhorn, and it is through the lens of her life that we explore Hemingway. It's a structure that is good in theory, and the story, though as uneven and occasionally bipolar as Hem, is not one of the film's primary problems, provided one knows a lot about the politics of the time. Rather, the film mysteriously changes color like the director's four-year-old daughter wandered into the editing room; there were a few good theories as to why the film switched from color to black and white, but the next color switch defies all reason.

In theory, Clive Owen is a good Hemingway, but the British actor's voice was off, and Owen's Hem is stronger when he's vulnerable, and his legendary bluster comes off like an actor chewing scenery rather than delivering a nuanced performance. By contrast, Nicole Kidman was fantastic, delivering one of the strongest performances of her career. Strong or vulnerable, Kidman is exceptional.

Overall, this is a mixed bag with enough flaws too noticeable to ignore.

This review of Hemingway & Gellhorn (2012) was written by on 19 Jul 2013.

Hemingway & Gellhorn has generally received mixed reviews.

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