Review of Head-On (2004) by Anthony Lane for The New Yorker — 10 Jul 2017
This is not just pliable filmmaking; it is an exercise in worldliness, in a feel for the cracks and warps of circumstance, which is all the more startling when you learn that the director is thirty-one.
You can read the full review where it was originally posted online.
This review of Head-On (2004) was written by Anthony Lane and published by The New Yorker on 10 Jul 2017.
Head-On has generally received very positive reviews.
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