Review of Harriet (2019) by Richard Brody for The New Yorker — 08 Nov 2019
The intensity and the lyrical fervor of Kasi Lemmons’s direction lend this historical drama, about Harriet Tubman’s escape from slavery and her work with the Underground Railroad, the exalted energy of secular scripture.
You can read the full review where it was originally posted online.
This review of Harriet (2019) was written by Richard Brody and published by The New Yorker on 08 Nov 2019.
Harriet has generally received positive reviews.
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