Happy End (2017) - Movie Reviews - Page 6 of 8

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Review of Happy End (2017)

By Paddy Kehoe (74) for RTÉ (Ireland) (721) on 29 Nov 2017

Amour is the better film, but Happy End is still brilliant…

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Review of Happy End (2017)

By Nigel Andrews (1,359) for Financial Times (1,822) on 29 Nov 2017

If you saw this film on an iPhone you'd think it was Apple stringing together Michael Haneke's Greatest Outtakes, with an algorithm for director…

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Review of Happy End (2017)

By Ana M (421) on 27 Nov 2017

Lackluster and directionless. Great acting thou…

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Review of Happy End (2017)

By Courtney Howard (393) for Fresh Fiction (404) on 16 Nov 2017

Whatever [Haneke] intended to express winds up as an aimless, pointless waste of time and resources…

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Review of Happy End (2017)

By Bob Strauss (787) for Los Angeles Daily News (1,272) on 10 Nov 2017

This thing is equal parts a hoot and a gasp-inducer…

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Review of Happy End (2017)

By Jordan Cronk (30) for Cinema Scope (405) on 10 Nov 2017

The director's predictably bleak take on bourgeois entitlement feels increasingly tired and overly calculated, becoming less and less interesting…

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Review of Happy End (2017)

By Cagatay A (1) on 06 Nov 2017

Haneke always criticize the capitalizm and its elements of the modern world…

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Review of Happy End (2017)

By Carlos M (2,069) on 30 Oct 2017

Although I like to see Haneke exploring modern technology, he seems more interested in crafting a compilation of some of his best moments from…

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Review of Happy End (2017)

By Gary Shannon (53) for The Young Folks (1,024) on 22 Oct 2017

Not even the most impressively conceived image expresses any more than the inert fears of a precise, slightly irrational technophobe…

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Review of Happy End (2017)

By Erick Estrada (196) for Cinegarage (196) on 22 Oct 2017

Many have said that Happy End is one of the sourest black comedies made in history. As it is. [Full review in Spanish]…

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Review of Happy End (2017)

By Peter Turner (36) for Starburst (899) on 18 Oct 2017

Fuelled by superb performances, particularly from old-timer Trintignant and teen Fantine Harduin as Eve, the film truly finds a heart when…

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Review of Happy End (2017)

By Jordan Ruimy (242) for World of Reel (117) on 14 Oct 2017

The film is reminiscent of Luis Bunuel's provoking cinema of the 1970's…

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Review of Happy End (2017)

By Stefan Pape (613) for HeyUGuys (1,461) on 03 Oct 2017

There is plenty to be admired about Happy End, with a collection of strong performances by an impressive ensemble - but it's just lacking that…

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Review of Happy End (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 21 Sep 2017

It too often feels like Happy End is a bunch of ideas in search of a movie…

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Review of Happy End (2017)

By Bill Chambers (261) for Film Freak Central (1,643) on 20 Sep 2017

Happy End plays like an arrangement of scenes deleted from [Michael] Haneke movies real and hypothetical; Loose Ends would've been a more fitting…

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Review of Happy End (2017)

By Tomas Trussow (247) for Film Inquiry (1,269) on 11 Sep 2017

The shocking reality is that Haneke has managed to make something so minor, uninteresting, and very much beneath his true abilities as an artist…

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Review of Happy End (2017)

By Kate Taylor (347) for Globe and Mail (2,419) on 06 Sep 2017

Haneke's ensemble is uniformly excellent – the film is packed with intriguing and provocative encounters between its various oppositional…

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Review of Happy End (2017)

By Paul Ennis (17) for NOW Toronto (1,621) on 06 Sep 2017

Who cares if the film is filled with the usual Haneke tropes? He's the Mozart of 21st-century middle-class angst…

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Review of Happy End (2017)

By Chris Bright (9) for FILMINK (Australia) (1,405) on 21 Aug 2017

Unfortunately for Haneke, even though he has tried something a little different, this feels like an old dog doing the same tricks just with new toys…

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Review of Happy End (2017)

By Phoebe Chen (4) for 4:3 (202) on 22 Jul 2017

The film unfolds like a curation of his favourite ideas from movies past, a self-referential object predictably filtered through the theme…

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