Review of Happy End (2017) by Calum Marsh for National Post — 11 Jan 2018
It reminds one that Haneke is nowhere near as grim or solemn as his reputation sometimes suggests, and that his art is infinitely more mischievous, teasing and loose than the many lesser filmmakers who have descended from his legacy.
You can read the full review where it was originally posted online.
This review of Happy End (2017) was written by Calum Marsh and published by National Post on 11 Jan 2018.
Happy End has generally received positive reviews.
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