Review of Happy End (2017) by Giovanni Marchini Camia for The Film Stage — 26 May 2017
A major issue is that the characterizations don’t reach very deep and in the absence of a robust context or involving narrative, it’s actually the references to Haneke’s previous films that flesh out what is otherwise a rather perfunctory condemnation of the bourgeoisie equipped with the usual symbolic connotations.
You can read the full review where it was originally posted online.
This review of Happy End (2017) was written by Giovanni Marchini Camia and published by The Film Stage on 26 May 2017.
Happy End has generally received positive reviews.
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