Review of Hannah Gadsby: Nanette (2018) by Rachel Syme for The New Republic — 02 Jul 2018
In Nanette we witness the shock of the new, a voice that dares to speak to this frustrating and often hideous cultural moment, a comedian willing to drop the act. I would call Gadsby a genius, but she would likely push back against that term.
You can read the full review where it was originally posted online.
This review of Hannah Gadsby: Nanette (2018) was written by Rachel Syme and published by The New Republic on 02 Jul 2018.
Hannah Gadsby: Nanette has generally received very positive reviews.
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