Review of Hannah Gadsby: Nanette (2018) by Moira Donegan for New Yorker — 27 Jun 2018
Art, Gadsby makes clear-from painting to comedy-does not liberate everyone equally. It can replicate the same privileges and exclusions as the culture in which it was made.
You can read the full review where it was originally posted online.
This review of Hannah Gadsby: Nanette (2018) was written by Moira Donegan and published by New Yorker on 27 Jun 2018.
Hannah Gadsby: Nanette has generally received very positive reviews.
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