Review of Hannah (2018) by Jeannette Catsoulis for The New York Times — 08 Mar 2018
Rigorously structured and glacially paced, this sophomore feature from Andrea Pallaoro (after his 2015 family tragedy, “Medeas”) is a minimalist portrait of brutal isolation and extreme emotional anguish.
You can read the full review where it was originally posted online.
This review of Hannah (2018) was written by Jeannette Catsoulis and published by The New York Times on 08 Mar 2018.
Hannah has generally received mixed reviews.
Was this review helpful?
Yes
No
