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Last updated: 04 Jun 2026 at 07:40 UTC

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Hampstead (2017) - Movie Reviews - Page 2 of 3

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Review of Hampstead (2017)

By Marta D (15) on 25 Jun 2017

It wasn't great, but found myself still interested in it on the whole, definitely wasn't boring, well acted…

Review of Hampstead (2017)

By Hilary A White (243) for Sunday Independent (Ireland) (504) on 25 Jun 2017

It's cloyingly cute and idyllic at times -- but worth it for the two heavyweights centre-stage…

Review of Hampstead (2017)

By Jonathan Dean (62) for Sunday Times (UK) (753) on 25 Jun 2017

This whole project is shallower than a postcard and entirely geared towards grey-dollar US tourists…

Review of Hampstead (2017)

By Charlotte O'sullivan (637) for London Evening Standard (2,015) on 25 Jun 2017

Keaton and Gleeson are sweet together (I like the sweaty, studenty-vibe they create in Emma's attic)…

Review of Hampstead (2017)

By Brian Viner (589) for Daily Mail (UK) (1,461) on 25 Jun 2017

Hampstead could, should, have been a sweet romcom for the hip-replacement generation…

Review of Hampstead (2017)

By Roger C (107) on 25 Jun 2017

It wasn't great, but found myself still interested in it on the whole, definitely wasn't boring, well acted…

Review of Hampstead (2017)

By Andy Lea (545) for Daily Express (UK) (2,141) on 24 Jun 2017

Pensioners may be able to get cheap daytime tickets but they don't deserve cut price drama…

Review of Hampstead (2017)

By Wendy Ide (1,500) for Observer (UK) (2,398) on 24 Jun 2017

This ghastly faux-mance pays lip service to the housing crisis but has as much genuine empathy as someone whose main concern about rising rents…

Review of Hampstead (2017)

By Matt Wolf (69) for The Arts Desk (640) on 22 Jun 2017

Do the makers of the essentially unnecessary Hampstead have a secret vendetta against north London and its citizenry…

Review of Hampstead (2017)

By Paul Whitington (413) for Irish Independent (461) on 22 Jun 2017

Hampstead is a slighter, sillier affair, and reminded me of one of Richard Curtis's fluffier endeavours…

Review of Hampstead (2017)

By Peter Bradshaw (3,667) for Guardian (4,584) on 22 Jun 2017

More proof that Richard Curtis's style of comedy-drama is very difficult to imitate…

Review of Hampstead (2017)

By Elliott Noble (448) for Sky Cinema (1,726) on 21 Jun 2017

Whimsical and first-world problematic as the story may be, Keaton and Gleeson create a genuinely enjoyable chalk-and-cheese rapport…

Review of Hampstead (2017)

By Alistair Harkness (1,042) for Scotsman (1,471) on 21 Jun 2017

Anything potentially good is drowned out by the determination of director Joel Hopkins' to bathe everything in excruciatingly twee, sub-Richard…

Review of Hampstead (2017)

By Allan Hunter (1,486) for Daily Express (UK) (2,141) on 21 Jun 2017

There is nothing remotely challenging in the roles but Gleeson is charming and understated and there is a real spark of chemistry with Keaton…

Review of Hampstead (2017)

By John Byrne (48) for RTÉ (Ireland) (721) on 21 Jun 2017

What it lacks in a script that's also painfully 'right-on' is compensated by a fine cast in a quirky and charming piece of cinematic souffle…

Review of Hampstead (2017)

By Deborah Ross (530) for The Spectator (1,162) on 21 Jun 2017

Gleeson is a fine actor in most circumstances, but here the material is so thin he's given nothing to work with, or against, as there are no…

Review of Hampstead (2017)

By Matthew Turner (2,508) for iNews.co.uk (132) on 21 Jun 2017

Keaton leans so closely into Annie Hall mannerisms that it's almost possible to read this as a covert revisiting of the character, 40 years later…

Review of Hampstead (2017)

By Geoffrey Macnab (1,253) for Independent (UK) (2,026) on 20 Jun 2017

The drawback here is the utter lack of pungency. This film doesn't smell real at all…

Review of Hampstead (2017)

By Dave Calhoun (583) for Time Out (7,510) on 18 Jun 2017

Don't come looking for social realism. This is an unapologetically fluffy film…

Review of Hampstead (2017)

By Stefan Pape (613) for HeyUGuys (1,461) on 18 Jun 2017

Hampstead has its charming moments, certainly, but ultimately frustrates as it abides so stringently to the tropes of the genre at hand…

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