Review of Green Zone (2010) by Ann Hornaday for Washington Post — 15 Jul 2013
The jittery, scattershot camerawork of Greengrass's longtime cinematographer, Barry Ackroyd, was used far more coherently in Kathryn Bigelow's Oscar-winning "The Hurt Locker," and the constant blurry close-ups of computer screens and street-level scrums lose their power with each successive cut.
You can read the full review where it was originally posted online.
This review of Green Zone (2010) was written by Ann Hornaday and published by Washington Post on 15 Jul 2013.
Green Zone has generally received positive reviews.
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