Review of Gold (2017) by Anthony Lane for The New Yorker — 30 Jan 2017
The film that results is at once panicky and abstruse, and we are left with little more than the delirious shine of McConaughey’s eyes and the preacherly rapture in his voice.
You can read the full review where it was originally posted online.
This review of Gold (2017) was written by Anthony Lane and published by The New Yorker on 30 Jan 2017.
Gold has generally received mixed reviews.
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