Glory (2017) - Critic Reviews - Page 2 of 2

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Review of Glory (2017)

By Armond White (604) for National Review (314) on 30 Apr 2017

I'm predisposed to like this exposé, especially given the American media class's unfeeling arrogance and lack of self-awareness and scruple…

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Review of Glory (2017)

By Louis Proyect (533) for Counterpunch.org (73) on 13 Apr 2017

An absolutely devastating critique of corporate corruption in post-Communist Bulgaria…

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Review of Glory (2017)

By Glenn Kenny (1,728) for New York Times (5,786) on 10 Apr 2017

The variable incongruities of Glory give it a queasy power uncommon in contemporary cinema. It’s the feel-bad movie of the spring…

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Review of Glory (2017)

By Jay Weissberg (182) for Variety (12,700) on 09 Apr 2017

The film quietly builds to a feeling of inexorable disaster, guided by terrific performances as well as spot-on editing…

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Review of Glory (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 09 Apr 2017

It’s so confidently directed and performed that even the obvious bits sink in…

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Review of Glory (2017)

By Christopher Gray (138) for Slant Magazine (8,298) on 08 Apr 2017

The film's rough-hewn naturalism belies an exquisite sense of pace and a sneaky breed of gallows humor…

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Review of Glory (2017)

By Jordan Mintzer (201) for Hollywood Reporter (2,966) on 03 Apr 2017

Directed with wit and structural precision — there is not a single moment in the film that feels wasted or doesn’t pay off later on —…

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Review of Glory (2017)

By Allan Hunter (1,486) for Screen International (2,241) on 03 Apr 2017

Expertly paced, Glory builds to a cleverly staged off-camera climax that perfectly caps everything that has gone before…

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Review of Glory (2017)

By Yonca Talu (6) for Film Comment Magazine (842) on 07 Mar 2017

Directing duo Kristina Grozeva and Petar Valchanov's witty and ingeniously crafted follow-up to The Lesson (2014) is a snapshot of a contemporary…

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Review of Glory (2017)

By Curtis Cook (17) for Willamette Week (516) on 08 Feb 2017

Slow-paced and dialogue-heavy, Glory, by directors Kristina Grozeva and Petar Valchanov, uses grim satire to show how money, class, and power…

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