Review of Gladiator (1992) by Moviemaniac83 — 23 Apr 2015
Commencing with a full-scale, extras unlimited, realism unabated battle sequence in a mud strewn Germanica, we are confronted by a general tired of war and an emperor, Marcus Aurelius (Richard Harris), near death. Furious at the bond between Aurelius and his beloved warrior, his unhinged heir, Commodus, kills pop and condemns Maximus to death. Big mistake. Especially when you kill his loving wife and child, whom he yearns to for, by burning and crucifixion.
There is an interesting if token commentary on the use of violent entertainment to subvert the masses, but on the whole, historical accuracy is reserved more for the technical elements than any sense of political, religious or dialectic truth (accents are all over the shop). The film also bobbles in its need to cram so much politicking in, to draw in an empire in crisis to the more personal story of one man's revenge.
While it's all grand opera, and driven by sweeping gestures and pompous, overwritten dialogue, it is prone to plain silliness - especially in granting us the big showdown at the close. But the sheer dynamism of the action, coupled with Hans Zimmer's lavish score and the forcefield of Crowe, still makes this a fiercesome competitor in the summer movie stakes.
This review of Gladiator (1992) was written by Moviemaniac83 on 23 Apr 2015.
Gladiator has generally received positive reviews.
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