Girlhood (2014) - Critic Reviews - Page 3 of 3

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Review of Girlhood (2014)

By A.o. Scott (2,100) for New York Times (5,786) on 29 Jan 2015

Even as she stops at familiar stations on the road to maturity — problems at home and school, new friendships and first love — Ms…

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Review of Girlhood (2014)

By Jesse Hassenger (800) for AV Club (2,778) on 29 Jan 2015

Boyhood has the natural endpoint of its lead growing into a young adult, while Girlhood stretches out in front of Marieme, an uncertain path…

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Review of Girlhood (2014)

By Melissa Anderson (387) for Artforum (101) on 29 Jan 2015

Sciamma has a particular gift for spectacular opening scenes…

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Review of Girlhood (2014)

By Sara Stewart (700) for New York Post (6,650) on 28 Jan 2015

Girlhood veers between being a celebration of sisterhood (albeit an occasionally violent sort) and a chronicle of the cycle of poverty…

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Review of Girlhood (2014)

By Mike D'angelo (730) for The Dissolve (1,478) on 28 Jan 2015

Both Water Lilies and Tomboy explored similar material—fluctuating sexual/gender identity and adolescent heartbreak—but Sciamma’s touch…

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Review of Girlhood (2014)

By Doris Toumarkine (464) for Film Journal International (5,095) on 28 Jan 2015

Drama of a female teen and her gang in a tough Paris project delivers some fine acting but is wobbly in its story of the young heroine's sad…

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Review of Girlhood (2014)

By Harvey S. Karten (2,210) for Compuserve (1,948) on 15 Jan 2015

The refreshing camaraderie on display from this group of energetic teen girls will sadly evolve into a life of menial jobs and perhaps incarceration…

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Review of Girlhood (2014)

By Sarah Boslaugh (544) for Playback:stl (411) on 09 Nov 2014

…

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Review of Girlhood (2014)

By Jason Best (961) for Movie Talk (957) on 25 Oct 2014

Opening explosively with a night-time all-female game of American football set to the hypnotically urgent electro-goth of Light Asylum's 'Dark…

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Review of Girlhood (2014)

By Jessica Kiang (522) for The Playlist (3,871) on 15 May 2014

Girlhood is a fascinatingly layered, textured film that manages to be both a lament for sweetness lost and a celebration of wisdom and identity…

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