Gimme Danger (2016) - Movie Reviews - Page 3 of 6

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Review of Gimme Danger (2016)

By Irene Crespo (54) for Cinemanía (Spain) (558) on 22 Nov 2016

A documentary that abuses animation and old films scenes to replace the lack of archive images to complete Iggy's interview, main narrator…

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Review of Gimme Danger (2016)

By Paula Arantzazu Ruiz (61) for Sensacine (386) on 22 Nov 2016

A documentary which ultimate goal is to restore the legacy of a unique band and be an evidence that even punk warriors can also be memorable…

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Review of Gimme Danger (2016)

By Paul Whitington (413) for Irish Independent (461) on 21 Nov 2016

A sometimes impassioned but oddly meandering documentary, it tells the stories of the hugely influential 60s group through the recollections…

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Review of Gimme Danger (2016)

By Wendy Ide (1,500) for Observer (UK) (2,398) on 20 Nov 2016

With this punchy documentary, Jim Jarmusch makes a fairly persuasive case that the Stooges, fronted by snake-hipped rock legend Iggy Pop, were…

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Review of Gimme Danger (2016)

By Rob Thomas (1,118) for Capital Times (Madison, WI) (875) on 18 Nov 2016

Jarmusch doesn't exactly reinvent the rock documentary with Gimme Danger, but he has a lot of fun with it and his scruffy, untamed subject…

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Review of Gimme Danger (2016)

By Allan Hunter (1,486) for Daily Express (UK) (2,141) on 17 Nov 2016

Jarmusch is clearly a fan and lovingly stitches together archive footage covering the history of the band from the 1960s until their break-up in 1974…

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Review of Gimme Danger (2016)

By Kevin Maher (647) for Times (UK) (2,458) on 17 Nov 2016

Gimme Danger is a gross act of fandom masquerading as a musical documentary…

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Review of Gimme Danger (2016)

By Jamie Healy (34) for Radio Times (2,421) on 17 Nov 2016

The familiar approach doesn't spoil what proves to be an infectiously entertaining epitaph that was well worth the wait…

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Review of Gimme Danger (2016)

By Geoffrey Macnab (1,253) for Independent (UK) (2,026) on 17 Nov 2016

Jim Jarmusch's film about Iggy Pop and the Stooges has all the familiar ingredients but Jarmusch is an accomplished enough director to move…

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Review of Gimme Danger (2016)

By Alan Corr (65) for RTÉ (Ireland) (721) on 16 Nov 2016

The Stooges story has been told before and you can still hear the mighty roar of bug-eyed defiance on their three key albums but Jarmusch reckons…

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Review of Gimme Danger (2016)

By Josh Slater-Williams (157) for Little White Lies (3,136) on 16 Nov 2016

Iggy's survival means he's the film's anchor, and it's his captivating storytelling, full of both articulate reminiscences and daft flights…

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Review of Gimme Danger (2016)

By Ali Catterall (56) for Total Film (3,532) on 16 Nov 2016

A conventional music doc about an extremely unconventional group…

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Review of Gimme Danger (2016)

By Kaitlin M (23) on 16 Nov 2016

What do you think Jim Jarmusch was trying to accomplish with this film? Because I'm not sure…

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Review of Gimme Danger (2016)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 14 Nov 2016

An important addition to our understanding of early '70s anarchy…

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Review of Gimme Danger (2016)

By Stefan Pape (613) for HeyUGuys (1,461) on 14 Nov 2016

Jim Jarmusch seeks to alter the portrayal of this eccentric, irrepressible individual and remind us quite how brilliant Iggy and the Stooges…

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Review of Gimme Danger (2016)

By Robert Horton (590) for HeraldNet (Everett, WA) (288) on 11 Nov 2016

Required viewing for anybody who digs rock and roll history…

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Review of Gimme Danger (2016)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 10 Nov 2016

By the end of this tight and timely documentary – once again, we’re a nation in chaos, breeding some ridiculously fine rock & roll while…

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Review of Gimme Danger (2016)

By Hamish Macbain (12) for Empire Magazine (3,326) on 10 Nov 2016

The Stooges’ story is a natural fit for the silver screen…

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Review of Gimme Danger (2016)

By T'cha Dunlevy (129) for Montreal Gazette (210) on 10 Nov 2016

Along their messy path, they made some crazy music…

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Review of Gimme Danger (2016)

By Nathan Carson (10) for Willamette Week (516) on 10 Nov 2016

Jarmusch leaves no fingerprints, making this documentary a rather straightforward, artless exercise…

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