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Gigli (2003) - Critic Reviews - Page 3 of 7

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Review of Gigli (2003)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 30 Jun 2004

The film lacks a controlling point of view to guide an audience through so improbable a tale…

Review of Gigli (2003)

By Judith Egerton (151) for Courier-Journal (Louisville, KY) (151) on 22 Jun 2004

Gigli looks like a movie that writer-director Martin Brest made up on the spot…

Review of Gigli (2003)

By Peter Travers (3,602) for Rolling Stone (4,035) on 27 May 2004

The only people likely to get a kick out of Gigli -- the first screen teaming of Ben Affleck and Jennifer Lopez -- are Madonna and her director…

Review of Gigli (2003)

By Charles Taylor (365) for Salon.com (2,725) on 02 Apr 2004

Turns out to be merely bad -- not a train wreck, not the crime against humanity it's been rumored to be…

Review of Gigli (2003)

By Ty Burr (2,612) for Boston Globe (6,852) on 28 Feb 2004

An overlong, joyless, and inconsequential affair, full of dead air, and possessing only a few moments of jaw-dropping bad taste. It's a dull disaster…

Review of Gigli (2003)

By Michael Brody (31) for CinemaBlend.com (1,378) on 10 Jan 2004

Gigli fails in the same vein as another star-studded flop, The Bonfire of the Vanities, so that it wears the guise of a perfectly normal film…

Review of Gigli (2003)

By Gabe Leibowitz (202) for Film and Felt (184) on 03 Jan 2004

Brest inserts little wrinkles in an attempt to wash away the clichés, but all he achieves is taking an already wretched script to new depths…

Review of Gigli (2003)

By Daniel M. Kimmel (1,403) for Worcester Telegram & Gazette (604) on 02 Jan 2004

If one has to find something positive to say about Gigli, it would have to be this: at least it isn't likely to spawn a sequel…

Review of Gigli (2003)

By Jenny Coggins (1) for Future Movies UK (245) on 06 Nov 2003

A film that should only be seen by masochist cinema goers…

Review of Gigli (2003)

By Ian Waldron-Mantgani (282) for UK Critic (265) on 11 Oct 2003

It tries a valiant effort to be smart and edgy, and feels like something that's always edging at greatness but never quite managing to break…

Review of Gigli (2003)

By Michael Atkinson (678) for Village Voice (8,525) on 27 Sep 2003

Gigli berates, insults, dismisses, throttles, and bellows at Bartha's meticulously aped retard, and then turns sensitive and warm—it's…

Review of Gigli (2003)

By Jamie Russell (254) for BBC.com (1,500) on 23 Sep 2003

[You] realise that having your skin flayed by a potato peeler would be less painful…

Review of Gigli (2003)

By Matthew Turner (2,508) for ViewLondon (2,339) on 19 Sep 2003

The rumours are true, this is one of the worst films of the year…

Review of Gigli (2003)

By Jonathan W. Hickman (551) for Entertainment Insiders (294) on 04 Sep 2003

Consider the missed opportunities here…

Review of Gigli (2003)

By Garth Franklin (268) for Dark Horizons (452) on 23 Aug 2003

Just a waste that deserves to be forgotten rather than attacked…

Review of Gigli (2003)

By Sean Axmaker (1,564) for Seattle Post-Intelligencer (2,422) on 23 Aug 2003

There is no histrionic excess or crackpot camp, only hoary sentiment, the puppy-dog cuteness of the mentally handicapped, and the proposition…

Review of Gigli (2003)

By Carol Cling (198) for Las Vegas Review-Journal (433) on 21 Aug 2003

If, as Shakespeare once suggested, a rose by any other name would smell as sweet, a Gigli by any other name would still stink up the multiplex…

Review of Gigli (2003)

By David Keyes (623) for Cinemaphile.org (616) on 21 Aug 2003

Gigli certainly isn't the worst film of the year, as it has been made out to be, but it does make one wonder if the lynch mob mentality against…

Review of Gigli (2003)

By Michael Dequina (1,684) for Movie Poop Shoot (46) on 20 Aug 2003

Since it's unlikely Brest's original will ever see the light of day again, I feel a need to describe the differences in this cut to prove that…

Review of Gigli (2003)

By Rich Cline (3,056) for Shadows on the Wall (2,096) on 18 Aug 2003

It's seriously terrible, and it'll teach everyone involved to read the script before they agree to make a film…

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