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Last updated: 12 Jun 2026 at 16:17 UTC

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Review of by Jonathan I — 14 Mar 2018

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Sound design is horrible! Music is crap. Sadly, most of its humor is unintentional. Fine in it's directing and acting. It is well-written. But in many ways, it's well-written B.S. Peele does capture the discomfort apologetic white liberals leave in their wake but fails to make that specificity clear, which, for a film as high profile as it's become, can lead to widespread misunderstandings about contemporary mass-racism--the real horror of this film.

In other words, Peele shares a real issue, but addressing it as a wide issue can come across as small-minded. Its intentions can surpass generic race issues and audiences can connect to it in terms of modern LGBT issues, timeless family dynamics, and nationality, but due to its black-vs-white racial heavy-handedness, the film itself almost tries to ignore these possibilities.

In fact, the racial implications are so heavy-handed that any horror genre elements feel like cheap extremism for "entertainment" points. For example, the final stretch is utter messy nonsense.

Many things here do show off a beginner's hand, which makes it hard to take too seriously, though many people are; which, as previously mentioned, is the real horror! In mass American culture, this film is 35 years outdated.

This review of Get Out (2017) was written by on 14 Mar 2018.

Get Out has generally received very positive reviews.

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