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Last updated: 07 Jun 2026 at 22:03 UTC

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Review of by Arth J — 24 Jan 2018

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A mind is a terrible thing to waste..

Get Out.

How often do we encounter actors speaking through their eyes? Daniel Kaluuya is riveting in his scared-to-death sequences (especially the first time when Catherine Keener hypnotizes him) and what really gets you here is that, so is the audience. Get Out is of course Jordan Peele's show in every frame but it is more of the Jordan-the director and not Jordan-the writer, for even though being familiar with the concept or idea the audience seems to fall into his world within the first act which was actually shot more beautifully and with excellent detailing for Jordan knew that this is the part where the audience may go off track and after the movie has surpassed the first act and the introduction of its creepy world and dreadful characters, the premise of the movie will easily favour in for the rest of the acts. Besides Daniel there is very little of the other cast to perform on or project themselves to that range so it resides within his territory and he has taken care of it, nicely. Get Out is smart, a bit shady and surprisingly filled with stunning violent sequences which ups the ante a bit and boosts the movie to the whole new level where it plays off in the major league against the action sequences of the movies like The Revenant and The Atomic Blonde.

This review of Get Out (2017) was written by on 24 Jan 2018.

Get Out has generally received very positive reviews.

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