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Get Out (2017) - Critic Reviews - Page 13 of 17

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Review of Get Out (2017)

By Kristy Puchko (422) for CBR (174) on 23 Feb 2017

Get Out is flat-out brilliant…

Review of Get Out (2017)

By Norman Wilner (961) for NOW Toronto (1,621) on 23 Feb 2017

Peele leavens the message with occasional (and much-needed) explosions of unexpected comedy, but have no illusions: he's dead serious about…

Review of Get Out (2017)

By Richard Lawson (539) for Vanity Fair (761) on 23 Feb 2017

Peele has made a movie about the black experience in white America that does not appease or accommodate, that enjoys itself while still speaking…

Review of Get Out (2017)

By Aramide Tinubu (61) for Shadow and Act (97) on 23 Feb 2017

Get Out forces white viewers (particularly liberals) to confront their own racist views while eviscerating those who continue to proclaim All…

Review of Get Out (2017)

By Liz Braun (961) for Toronto Sun (419) on 23 Feb 2017

The screenplay is a masterpiece of subversion, laced with race-based fears and notions of stereotype that are played for laughs, but hit home…

Review of Get Out (2017)

By Bob Strauss (787) for Los Angeles Daily News (1,272) on 23 Feb 2017

Sometimes the best social commentary movies are genre films. More often than not, those are the cleverest at it. Get Out fills that task to a T…

Review of Get Out (2017)

By Colin Covert (1,936) for Minneapolis Star Tribune (2,416) on 23 Feb 2017

Brace yourself; this is upscale, darkly polished work…

Review of Get Out (2017)

By Brian Truitt (541) for USA Today (4,117) on 23 Feb 2017

As funny and bitingly satirical as one would expect from his Key & Peele sketches…

Review of Get Out (2017)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Feb 2017

Like all great movies, Get Out faithfully obeys the conventions of its genre — in this case horror films shot through with brutal wit and…

Review of Get Out (2017)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 23 Feb 2017

This is surely the nerviest, most confrontational treatment of race in America to emerge from a major studio in years, and it brilliantly fulfills…

Review of Get Out (2017)

By Brian Orndorf (4,059) for Blu-ray.com (2,093) on 23 Feb 2017

It's a successful endeavor, but not overwhelmingly so, with iffy taste and timing of humor disturbing the hypnotic spell it's itching to cast…

Review of Get Out (2017)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Feb 2017

Part of what makes Get Out both exciting and genuinely unsettling is how real life keeps asserting itself, scene after scene…

Review of Get Out (2017)

By Keith Watson (196) for Slant Magazine (8,298) on 23 Feb 2017

Throughout Get Out, Jordan Peele incisively probes the connection between liberal racism and good old-fashioned white supremacy…

Review of Get Out (2017)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 23 Feb 2017

Get Out starts with a great title and a promising idea — a black man’s fear as he walks at night down a street in an affluent white suburb…

Review of Get Out (2017)

By Jack Giroux (142) for Bullz-Eye.com (1,091) on 23 Feb 2017

Jordan Peele's first foray behind the camera as a director is funny, thrilling and often frightening…

Review of Get Out (2017)

By Laura Clifford (2,742) for Reeling Reviews (4,376) on 23 Feb 2017

Writer/director Jordan Peele puts a racial spin with a sly twist on his sharp horror film rooted in such classics as White Zombie, The Stepford…

Review of Get Out (2017)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 23 Feb 2017

The real star of the film is writer-director Jordan Peele, who has created a work that addresses the myriad levels of racism, pays homage to…

Review of Get Out (2017)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 23 Feb 2017

Not only does this genre exercise deliver the little jolts and inside laughs that keep modern horror fans pleased, Get Out is also one of the…

Review of Get Out (2017)

By Julian Roman (454) for MovieWeb (460) on 23 Feb 2017

Get Out is an absolutely brilliant and original horror film. Imagine a devilishly twisted update of Guess Who's Coming to Dinner…

Review of Get Out (2017)

By Neil Pond (477) for Parade Magazine (247) on 23 Feb 2017

Peele draws a draws a subtle, scathing line that connects American imperialism all the way back to its colonial roots, when white men essentially…

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