Review of Georgia Rule (2007) by Rev.rikard — 27 May 2007

A poor attempt at creating an updated "Ordinary People" style film. However in the Mary Tyler Moore/ Timothy Hutton classic the truth begging for its day in court was not shrouded in a murky story with unbelievable, wooden characters engaged in conversations spiced with stale "American Pie" slices of adolescent humor.

Consequently, so many interactions in this film are tasteless. Conrad, Hutton's character in Ordinary People, was not only so believable the audience could identify with his tormented scream for truth to rear its liberating head, we easily recognized that truth.

We were mesmerized by its destructive power to slither its way in and through the lives of the entire family. Truth hidden is no longer truth; it is repressed torment. We joined Conrad in pleading for truth to move from the shadows of repressed pain and liberate him.

His honest interaction with his therapist revealed conversations that could find expression in the life of every viewer. In Georgia Rule the truth is a tease. "So that's the truth; no, that's the truth!" This is the mental and emotional exercise invoked by this film.

This technique works in great mysteries. However, rather than offer us dialogues of substance, Lohan's character attempts to shock everyone with sophomoric sex-sated insults that are intended to shock everyone out of denial.

At some point we no longer care about Lohan's character. She is not only a recognizable character from any teen sex movie, she is so unlike most of us we cannot know her. The ultimate insult lies in the fact that the truth lurking beneath this tangle of dysfunctional characters is a serious social/family issue.

Toying with an issue laden with horrific pain angered me, and I am sure many viewers. When at last the moment of epiphany comes, we are not sure what has been accomplished, and what this film has said about repressed truth and family life.

In Ordinary People, the moment of epiphany was touching and haunting. The great rule in Georgia Rule should be to avoid this formula if one wants to make a relevant film about a serious family issues that impacts culture.