Review of Gemini (2017) by Sherilyn Connelly for SF Weekly — 04 Apr 2018
Although it has a modern visual style and a mise en scène more in tune with The Neon Demon and Mulholland Drive, Aaron Katz's very enjoyable Gemini is one of the most laid-back Los Angeles mystery films since Robert Altman's The Big Goodbye.
You can read the full review where it was originally posted online.
This review of Gemini (2017) was written by Sherilyn Connelly and published by SF Weekly on 04 Apr 2018.
Gemini has generally received mixed reviews.
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