Review of Garry Winogrand: All Things Are Photographable (2018) by Richard Brody for New Yorker — 16 Sep 2018
The film puts his work convincingly and revealingly into the context of his turbulent life and the passionate politics of the times. Above all, however, the movie puts on display Winogrand’s singular way of working—and proves that, as with many of the artistic luminaries of the nineteen-sixties and seventies, his process is as original a creation as his art, and is inseparable from it.
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This review of Garry Winogrand: All Things Are Photographable (2018) was written by Richard Brody and published by New Yorker on 16 Sep 2018.
Garry Winogrand: All Things Are Photographable has generally received very positive reviews.
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