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Last updated: 18 Jul 2026 at 18:23 UTC

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Review of by Renata Adler for New York Times — 09 Jan 2018

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When she is singing--in a marvelous scene on roller skates--when she throws a line away, or shrugs, or looks funny or sad, she has a power, gentleness and intensity that rather knocks all the props and sets and camera angles on their ear.

You can read the full review where it was originally posted online.

This review of Funny Girl (1968) was written by and published by New York Times on 09 Jan 2018.

Funny Girl has generally received very positive reviews.

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