Review of Full Moon in Paris (1984) by Richard Brody for New Yorker — 09 Jan 2017
With a graceful round of self-deceptions and mistaken identities, exquisite rationalizations and fortuitous accidents, Rohmer pierces the glossy veneer of the social scene and the dignified realm of art to reveal the sexual fury that they embody.
You can read the full review where it was originally posted online.
This review of Full Moon in Paris (1984) was written by Richard Brody and published by New Yorker on 09 Jan 2017.
Full Moon in Paris has generally received positive reviews.
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