Review of Frida (2002) by David Denby for The New Yorker — 01 Jan 2016
Ultimately, the movie's biggest crime is its inability to convey the delicate, damaged texture of Kahlo's life, but also the triumph of her will over intimidating defeat.
You can read the full review where it was originally posted online.
This review of Frida (2002) was written by David Denby and published by The New Yorker on 01 Jan 2016.
Frida has generally received positive reviews.
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