Foxtrot (2017) - Critic Reviews - Page 3 of 5

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Review of Foxtrot (2017)

By David Nusair (3,363) for Reel Film Reviews (3,339) on 16 Mar 2018

a decent premise that's employed to consistently uninvolving effect by Maoz…

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Review of Foxtrot (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 15 Mar 2018

Samuel Moaz's brutal, three-act Foxtrot even manages to be a darker military comedy than Talya Lavie's Zero Motivation, and that's saying a lot…

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Review of Foxtrot (2017)

By Bruce Demara (410) for Toronto Star (3,601) on 15 Mar 2018

Foxtrot is a minor masterpiece that audiences will remember for a long time, thanks to the masterful script and some dazzling acting…

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Review of Foxtrot (2017)

By Chris Knight (998) for National Post (1,405) on 15 Mar 2018

This is a movie that invites but ultimately transcends analysis, delivering its final, poignant emotional punch directly to the soul…

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Review of Foxtrot (2017)

By Ann Hornaday (1,919) for Washington Post (9,851) on 14 Mar 2018

Graced by superb performances, especially from Ashkenazi and Adler, this gentle but devastating portrait bursts with integrity and tough honesty,…

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Review of Foxtrot (2017)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 14 Mar 2018

Foxtrot is an admirably precise yet dreamlike film, probing the trap in which contemporary Israel finds itself…

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Review of Foxtrot (2017)

By Susan G. Cole (137) for NOW Toronto (1,621) on 14 Mar 2018

Maoz constructs the film as an elaborate puzzle with pieces that come together in the end…

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Review of Foxtrot (2017)

By Carla Meyer (580) for San Francisco Chronicle (7,630) on 14 Mar 2018

Foxtrot troubles and fascinates as it shifts from a portrait of grief to one of pathology, and captivates after it shifts again, into a visually…

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Review of Foxtrot (2017)

By Yasmin Kleinbart (46) for The Young Folks (1,024) on 09 Mar 2018

Maoz brilliantly toes the line between black comedy and drama…

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Review of Foxtrot (2017)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 09 Mar 2018

invites viewers to draw their own conclusions in what adds up to a haunting experience…

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Review of Foxtrot (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 08 Mar 2018

Foxtrot comes together as a complex plea for honesty, openness, frankness, and forgiveness…

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Review of Foxtrot (2017)

By Anthony Lane (1,079) for The New Yorker (1,837) on 05 Mar 2018

Foxtrot leads us a sorry dance, with irreproachable skill, but sometimes you long for it to break step, to quicken, and to breathe…

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Review of Foxtrot (2017)

By Alberto Bermejo (41) for El Mundo (Spain) (301) on 05 Mar 2018

Foxtrot is an exercise in narrative virtuosity, that observes extreme situations with steely eyes. [Full Review in Spanish]…

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Review of Foxtrot (2017)

By Jordi Costa (207) for El Pais (Spain) (511) on 05 Mar 2018

a complex discourse on the tenuous line that separates salvation from condemnation. [Full Review in Spanish]…

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Review of Foxtrot (2017)

By Annlee Ellingson (847) for L.A. Biz (397) on 02 Mar 2018

Exquisitely crafted and controlled, Foxtrot is an extraordinary piece of filmmaking, beautifully framed and astutely observant…

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Review of Foxtrot (2017)

By Lindsey Bahr (430) for The Associated Press (882) on 01 Mar 2018

There is a precise sensation of out-of-body powerlessness and comic absurdity throughout that can only be described as dream-like…

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Review of Foxtrot (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 01 Mar 2018

Maoz is as good at youthful languor as he is at the process of grief…

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Review of Foxtrot (2017)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 01 Mar 2018

Foxtrot feels unusually full for a film that seems to move in slow motion, in which the characters’ brains grind emptiness…

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Review of Foxtrot (2017)

By Peter Travers (3,602) for Rolling Stone (4,035) on 01 Mar 2018

Foxtrot makes demands on audiences and then richly rewards them. It's a riveting, deeply resonant achievement…

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Review of Foxtrot (2017)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 01 Mar 2018

Some of its stylistic flights are self-indulgent, or at least inessential, though none is uninteresting…

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