Review of Foxcatcher (2014) by Anthony Lane for The New Yorker — 10 Nov 2014
So skilled are both Carell and Tatum that the movie itself falls prey to the characters’ repression. Though never less than careful and clever, it’s also a stunted and fiercely unhappy piece of work, straining hard to deliver home truths about a commonweal that has beaten itself out of shape.
You can read the full review where it was originally posted online.
This review of Foxcatcher (2014) was written by Anthony Lane and published by The New Yorker on 10 Nov 2014.
Foxcatcher has generally received positive reviews.
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