Review of Four Christmases (2008) by Chads. — 04 Dec 2008

Blink and you may miss it; it being the Rock 'Em Sock 'Em Robots in Brad's childhood room. Red robot. Blue robot. Red state. Blue state. Brad(Vince Vaughn) and Kate(Reese Witherspoon) grew up rooting for the red robot, but now they're backing the blue robot, ever since they left home to escape horrific childhoods that made them feel small.

"Four Christmases" is a game of Rock 'Em Sock 'Em Robots, which disappointingly, ends in a muddling draw. At the outset, the blue robot brings it; he throws a few body blows to conservative ideology(Brad's brothers are named Denver and Dallas: two notably red state cities), knocking family values and the church into submission.

But then, those twin pillars of Republican mind control receives its smelling salts by the red robot's trainer and rallies to rope-a-dope the blue robot. So the sparring match goes the distance, so it goes to the judges' decision.

It's a draw. In Paul Thomas Anderson's "Punch-Drunk Love", Barry(Adam Sandler) survives a childhood marred by constant verbal(and perhaps, physical) abuse from his siblings, just like the Liberal Elitist in "Four Christmases", who was formerly known as Orlando.

While the Sandler-Is-A-Serious-Actor vehicle never delves into the Emily Watson character's past, the audience can gauge that her childhood wasn't a particularly rosy one either, such was Kate's formative years, in which the fairer Liberal Elitist suffered the same low self-esteem issues at the hands of her family.

Without realizing it, because they kept their "hick" pasts a secret, Brad and Kate are a perfect match. A "Punch-Drunk Love"-like storyline could have materialized, but it doesn't, because their trip to Fiji is thwared by fog(incidentally, Hawaii, the setting for Barry and Lena's vacation, gets a mention).

In its place, echoes of Paul Schrader's "Affliction"(the final conversation between father(James Coburn) and son(Nick Nolte)) can be discerned as Brad talks to his hard-ass father(Robert Duvall) late in the film.

"Four Christmases" is most convincing when the blue robot hits below the belt; then out of the blue, Kate's family suddenly becomes warmer and more nurturing at a new venue(her father's house), not soon after Kate's first confrontation with her sister(Kristen Chenowith) and mother(Mary Steenburgen), which ably explains why she hadn't returned home in years.