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Last updated: 05 Jun 2026 at 21:04 UTC

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Review of by Richard Brody for The New Yorker — 19 Jul 2016

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The movie’s visual prose, aided by simple but fanciful camera work, has an original, giddy spin; Bryant and Molzan’s smooth and floaty direction sublimates the rocky landscape into something disturbingly ethereal.

You can read the full review where it was originally posted online.

This review of For the Plasma (2014) was written by and published by The New Yorker on 19 Jul 2016.

For the Plasma has generally received mixed reviews.

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