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Last updated: 18 Jul 2026 at 21:22 UTC

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Review of by Larry Worth for New York Post — 20 Oct 2006

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The camera never ventures outside, but remains fixed on the action at the table, gliding languidly past the same sepia-toned tableau: In the film's universe, people are indistinguishable and the setting never changes.

Hou does succeed in one key respect: His films evokes opium addiction, a narcotic delirium fading into a dreamless sleep.

You can read the full review where it was originally posted online.

This review of Flowers of Shanghai (1998) was written by and published by New York Post on 20 Oct 2006.

Flowers of Shanghai has generally received positive reviews.

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