Review of Flesh and the Devil (1926) by John D — 26 Feb 2011

Famed silent is for the time period a well made melodrama. The story is of no real consequence and now seems very familiar as it probably was at the time of it's release. The communion scene is provocative, very erotic even today and must have been a sensation in '26.

The real interest is of course the cast, Garbo especially. Of all the players she is the acting standout, with the exception of a few scenes her performance feels very naturalistic. The same goes for her appearance, whereas everybody else looks like they belong in the 1920's her unadorned hairdos and streamlined clothes convey a contemporary feeling, a flesh impact.

Gilbert, who was then wildly popular, is a relic from a bygone era. He looks like he could be attractive but his ridiculous moustache and the heavy makeup required at the time sabotage his handsomeness.

His acting is quite mannered and uneven, he was much better in The Big Parade, but he and Garbo share an undeniable chemistry. The real offender in overacting is Lars Hanson his eyepopping and herky jerky movements are a textbook example of the worst kind of silent screen performance, the impression that keeps a lot of people from giving silents a try.

The other major person in this passion play is Barbara Kent as the angelic young thing in contrast to Garbo rapacious strumpet. Kent at 105 is the last remaining silent screen star still living although she turned her back on public life and has been a recluse since the 50's.