Review of Fences (2016) by Gregory G — 26 Feb 2017
August Wilson's Pulitzer Prize-winning drama is one of ten plays he wrote as part of his "Pittsburgh Cycle" examining black experiences in America. Denzel Washington and Viola Davis, who starred in the Broadway revival, are Troy and Rose Maxson, a garbage collector and his wife, in 1950s Pittsburgh.
Troy had aspirations to be a professional baseball player that were denied him because of racial prejudice. He takes out his resentment and bitterness on his family, particularly on his son (Jovan Adepo), who wants to play football.
Troy's unwavering demands can make him disagreeable to his family and this complex dynamic is portrayed with raw honesty. Washington and Davis give the kind of performances on screen that earn an ovation in the theater.
Wilson adapted his play which retains his poetic language. It's a pleasure to listen to when delivered by these actors. There are some weakness in the translation from the stage, such as the conception of Troy's mentally disabled, military veteran brother (Mykelti Williamson).
As a director, Washington falls into the trap of making stage adaptations that look like a photographed play. Still, its refreshing to see black life in America portrayed with such candor. Davis won the Oscar for Best Supporting Actress.
This review of Fences (2016) was written by Gregory G on 26 Feb 2017.
Fences has generally received positive reviews.
Was this review helpful?
