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Last updated: 13 Jun 2026 at 07:50 UTC

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Review of by Rob S — 25 Jul 2015

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Usually when I see relationships with a huge age gap portrayed on the screen I feel uncomfortable or I think it is unrealistic. With the relationship at the heart of this film, I felt much differently, and I have no idea why. Hearing that it seems to have been inspired by Douglas Sirk I went into this movie without huge expectations, and I was pleasantly surprised.

While I don't understand its full purpose yet, I was amazed by Fassbinder's awareness of the frame and putting smaller frames into the frame of the camera. These frames are not always perfect squares, but sometimes doorways to show the action going on in the other room, and I guess all I can say is it seems to speak to the voyeur. Repeated scenes with contrasting ideas/themes are also abound in this film, and these revisited scenes can be so different they can bring tears to the viewer's eyes. What is particularly sad is when the dance at the beginning of the film is redone at the film's conclusion with Ali admitting that he has cheated on his wife.

I like the relationship at the core, but I am unsure what to make of the characters. Ali seems a nice enough man, though he does not have perfect German and his dialogue often lacks the use of verbs. I don't have anything wrong with that, he doesn't fully know German yet, but it shows that even with his wise sayings he still has more to learn. As for Emmi, she is not ashamed to say she was part of Hitler's party and even wishes to go to a restaurant often visited by Hitler. I can totally understand this since this film is speaking from a German perspective, but as my classmates pointed out it is uncomfortable or strange to have a character who connects positively to Hitler.

I hated and loved other characters within this film for their racism and later catharsis, which shows it was able to get to my emotions.

This review of Fear of Fear (1975) was written by on 25 Jul 2015.

Fear of Fear has generally received very positive reviews.

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