Review of Father Stu (2022) by Sarah Hagi for The Globe and Mail (Toronto) — 15 Apr 2022
Ross’s formulaic direction could have been delivered by a robot or algorithm and nobody would have noticed. Watching Father Stu feels like enduring a B-movie that would never see the inside of a cinema (the film is playing exclusively in theatres) and be instead relegated to the bottom of a streaming or VOD queue – only it holds the star power and charisma of Wahlberg.
You can read the full review where it was originally posted online.
This review of Father Stu (2022) was written by Sarah Hagi and published by The Globe and Mail (Toronto) on 15 Apr 2022.
Father Stu has generally received mixed reviews.
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