Review of Fanny and Alexander (1982) by James M — 06 Jun 2007

Every great director has one: a grand scale epic that seems to sum up what would be considered a great career. Fanny and Alexander was just that. I felt that it was a slight tribute to all that he has done previously as well as closure for all his religious questions raised in every previous film (think Through a Glass Darkly and Winter Light).

With Fanny and Alexander, we follow young Alexander Ekdahl on his coming-of-age journey. The first half of the film I found to be a little bit boring. Many scenes were long and a lot of the subplots I felt were unnecessary.

The second half, however, I couldn't even pause because I had become so enthralled in Fanny and Alexander's troubles. Still having only seen the theatrical version (my library did not have the 5 1/2 hour one), I am left wanting more.

I wish Bergman would have explored Fanny's character a little more. I found her unconditional love and steadfast toward her brother to be interesting and touching. I loved that Bergman returned to the Wild Strawberries/The Seventh Seal days with Alexander's vast imagination that brings us the ghost, moving statues, and various other abnormalties.

Ultimately, Fanny and Alexander is an excellent film about the appreciation of life, knowing all too well that our time here is limited. All around, the performances were astounding. I was particularly impressed with Bertil Guve's strong performance as Alexander that managed to carry the 3 hour film.

I am glad that Bergman was able to create one more great film before death eventually takes him as well.