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Last updated: 12 Jun 2026 at 22:56 UTC

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Review of by Njwolfgang — 28 Mar 2012

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If there is a single criticism of this film that has any merit is that the piece might be a bit long. The problem is however what do you cut when telling the story? There really isn't much waste in the film when you reach the conclusion of the journey and realize completely the road you've traveled.

The surprise is the understanding that is revealed in the last few minutes of the film that one is continually wondering about through the entire picture. Max Von Sydow gives a lesson in performance that mirrors the performance of Falconetti in the great silent film about the trial of Joan of Arc.

Sydow's silent performance is etched in every line and crevice of his face and with each diverted glance of his eyes. He is perfect. Sandra Bullock acquits herself brilliantly. She is as troubled as her son and when the time comes is as revealing as Max Von Sydow's face.

Viola Davis once again turns in a superb performance along with Jeffrey Wright. Daldry uses New York City as his landscape and paints the details resoundingly. And yes the pivotal piece of the film is 9/11 but only that 9/11 was the catalyst to the story that evolves and not the story itself.

Critics and Bloggers made this piece more about 9/11 than it really was and managed to kill the audience for the piece.

This review of Extremely Loud & Incredibly Close (2011) was written by on 28 Mar 2012.

Extremely Loud & Incredibly Close has generally received positive reviews.

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