Review of Extremely Loud & Incredibly Close (2011) by Nedryerson1 — 27 Feb 2012
Extremely Loud and Incredibly Close is the most underrated film of the year. Although the topic is a little bit repeated, the point of view that shows is new: the perspective of a boy in the 9/11. The plot of the film is not very interesting and also predictable.
Definitely Thomas Horn performance increases the value of this film. The character of Oskar is heartbreaking; he is boy trying to turn the senseless in sense. Being completely rational, everybody and everything it is turn into a number of a big equation that needs to be solved. But sometimes Oskar forgets that he is also a human being, and for us is aloud to make mistakes. The scene that represents best the whole character is the one that Oskar start running and shouting, but never stops playing his tambourine. The performance of Max Von Sydow is also remarkable, because he is trying to make changes in his life and in the life of the boy, but he is trap by a Yes/No sign in his hand, a pencil and a notebook. The scene that explains all this is when Oskar is showing him the recording of his father, he begins to despair, but what he writes is not enough to show it well.
The contrast between a boy who knows little and what know a lot against a old man who knows a lot and what to know little is priceless.
This review of Extremely Loud & Incredibly Close (2011) was written by Nedryerson1 on 27 Feb 2012.
Extremely Loud & Incredibly Close has generally received mixed reviews.
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