Review of Extraction 2 (2023) by Matt Zoller Seitz for RogerEbert.com — 16 Jun 2023

Some composited landscapes and helicopters don't pass the believability test, and a few big camera moves that take us from outside to inside and vice-versa are too clever for their own good. But it's all so intricate and expertly timed that you still appreciate it, as one might a performance of a fiendishly difficult piano concerto where just hitting the notes is beyond most players' capabilities.