Review of Exorcist: The Beginning (2004) by Lou Lumenick for New York Post — 17 Mar 2014
The acting is serviceable at best, the direction unfocused - and the special effects and makeup cheesy-looking. This is surely the most dreary-looking film ever shot by the great Vittorio Storaro ("Apocalypse Now").
You can read the full review where it was originally posted online.
This review of Exorcist: The Beginning (2004) was written by Lou Lumenick and published by New York Post on 17 Mar 2014.
Exorcist: The Beginning has generally received mixed reviews.
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