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Last updated: 05 Jun 2026 at 18:05 UTC

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Review of by Manohla Dargis for The New York Times — 01 Oct 2014

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The risible dialogue, the bulging eyeballs, the heaving bosoms, the digitally rendered hyenas and squirming maggots, the movie fails to achieve the status of the instant camp classic. That's partly because the vibe of the film is too torpid.

You can read the full review where it was originally posted online.

This review of Exorcist: The Beginning (2004) was written by and published by The New York Times on 01 Oct 2014.

Exorcist: The Beginning has generally received mixed reviews.

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