Review of Ex Machina (2015) by Manohla Dargis for The New York Times — 08 Apr 2015
[Mr. Garland] plays with visual contrasts — Mr. Isaac’s compact, muscled body and Mr. Gleeson’s long, drooping one, picture windows that look out onto an expansively lush landscape and windowless rooms that register as upmarket prison cells — that dovetail with the narrative’s multiple, amusingly deployed dualities: confinement and liberation, agency and submission, mind and body.
You can read the full review where it was originally posted online.
This review of Ex Machina (2015) was written by Manohla Dargis and published by The New York Times on 08 Apr 2015.
Ex Machina has generally received very positive reviews.
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