Evita (1996) - Critic Reviews - Page 2 of 2

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Review of Evita (1996)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 06 Jul 2007

In what I saw, Madonna in the title role tries bravely not to buckle under the weight of Stone and Parker's sense of Stalinist monumentality…

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Review of Evita (1996)

By David Ansen (1,073) for Newsweek (1,534) on 26 Jul 2006

It's gorgeous. It's epic. It's spectacular. But two hours later, it also proves to be emotionally impenetrable…

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Review of Evita (1996)

By Philip Martin (1,107) for Arkansas Democrat-Gazette (1,391) on 08 Jan 2005

It is quite possible to hate Cats and deplore Sex and still enjoy this movie…

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Review of Evita (1996)

By Richard Corliss (1,032) for Time (1,811) on 31 May 2002

But this Evita is not just a long, complex music video; it works and breathes like a real movie, with characters worthy of our affection and…

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Review of Evita (1996)

By David Sterritt (1,643) for Christian Science Monitor (3,788) on 25 May 2002

The movie takes no particular stance on the controversies surrounding its heroine, seen by some as a self-serving egomaniac and others as a…

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Review of Evita (1996)

By Maria Schneider (18) for The A.V. Club (5,644) on 26 Jun 2000

Its political insights are half-hearted at best, and as entertainment it fails to excite. The songs sound mostly like glam-rock relics…

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Review of Evita (1996)

By Elvis Mitchell (489) for The New York Times (9,847) on 07 Apr 2000

But the film is still breathless and shrill, since Alan Parker's direction shows no signs of a moral or political compass and remains in exhausting…

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Review of Evita (1996)

By Laura Miller (37) for Salon.com (2,725) on 10 Dec 1998

Lloyd Webber is everything loud, dumb and tiresome, and everything loud, dumb and tiresome in Evita is him…

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Review of Evita (1996)

By Todd Mccarthy (1,810) for Variety (12,700) on 11 May 1997

Director Alan Parker has done a dazzling job creating screen images to accompany the wall-to-wall music, resulting in a musical fresco that…

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