Review of Everything Everywhere All at Once (2022) by K. Austin Collins for Rolling Stone — 01 Apr 2022
It’s comically postmodern to the point of feeling almost retro, which also describes Everything Everywhere’s sense of action, its enriched sense of comedy colliding violence, practical materials (like fanny packs) taking their ranks amid the physically superhuman feats of choreography — a mix many of us rightly associate with Jackie Chan.
You can read the full review where it was originally posted online.
This review of Everything Everywhere All at Once (2022) was written by K. Austin Collins and published by Rolling Stone on 01 Apr 2022.
Everything Everywhere All at Once has generally received very positive reviews.
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