Review of Everything Everywhere All at Once (2022) by Richard Brody for The New Yorker — 24 Mar 2022
With its bland and faux-universal life lessons that cheaply ethicalize expensive sensationalism, the film comes off as a sickly cynical feature-length directorial pitch reel for a Marvel movie.
You can read the full review where it was originally posted online.
This review of Everything Everywhere All at Once (2022) was written by Richard Brody and published by The New Yorker on 24 Mar 2022.
Everything Everywhere All at Once has generally received very positive reviews.
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