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Last updated: 28 Jun 2026 at 09:24 UTC

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Review of by Anthony Lane for The New Yorker — 21 Jan 2017

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For most of Eternal Sunshine, I found myself fighting off Gondry's hyperactive intrusions in order to get at the melancholia at its core. Fortunately, the idea behind this movie is so richly suggestive that it carries you past Gondry's image clutter.

You can read the full review where it was originally posted online.

This review of Eternal Sunshine of the Spotless Mind (2004) was written by and published by The New Yorker on 21 Jan 2017.

Eternal Sunshine of the Spotless Mind has generally received very positive reviews.

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