EO (2022) - Critic Reviews - Page 2 of 2

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Review of EO (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 24 Oct 2022

EO seems to be getting at the rhythm of life—up, down, happy, sad, joyous, torturous, cyclical, always changing, never fully understood…

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Review of EO (2022)

By Chuck Bowen (756) for Slant Magazine (8,298) on 12 Sep 2022

EO feels freed of plot, free of expectation, driven only by the need to honor its own internal, poetic drive…

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Review of EO (2022)

By Adam Solomons (5) for IndieWire (3,631) on 26 May 2022

In Bresson’s version, it’s the humans around the donkey who are the true center of the story. Not so in EO…

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Review of EO (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 May 2022

Despite a shred of story that’s told episodically, EO, which clocks in at a concise 86 minutes, can be an engrossing experience…

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Review of EO (2022)

By Jonathan Romney (434) for Screen Daily (1,021) on 26 May 2022

A potent emotional charge, very contemporary eco-consciousness, and film-making that at its best fairly sizzles in its strangeness mark out…

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Review of EO (2022)

By Peter Debruge (1,557) for Variety (12,700) on 26 May 2022

EO is a damning polemic on our relationship to other intelligent species — as free labor, food and companions — as seen through the dewy,…

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Review of EO (2022)

By Rory O'connor (154) for The Playlist (3,871) on 26 May 2022

Eo is a joyful, experimental, and strangely moving piece of filmmaking that doesn’t always take itself seriously—yet it is nothing if not sincere…

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Review of EO (2022)

By Ryan Leston (31) for Slashfilm (971) on 26 May 2022

Skolimowski's close camera work and gripping story keep us alongside EO every step of the way. We're all rooting for him…

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Review of EO (2022)

By David Katz (41) for The Film Stage (3,162) on 25 May 2022

Skolimowski uses cinema to create a non-headset-required virtual-reality experience of another creature’s life—an empathy machine, if you will…

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Review of EO (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 25 May 2022

I’m not sure this is my favourite Skolimowski film, but it is engaging in many ways: beautifully photographed, sentimental and surreal in…

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