Review of England Is Mine (2017) by Jeannette Catsoulis for The New York Times — 23 Aug 2017
With its bleak, yearning tone and defiantly cloudy color palette, “England Is Mine” has a pleasingly granular feel for its era and location. But its imagining of Morrissey as a self-pitying narcissist, a curiously passive intellectual who can’t get out of his own way, soaks the movie in a wearying inertia.
You can read the full review where it was originally posted online.
This review of England Is Mine (2017) was written by Jeannette Catsoulis and published by The New York Times on 23 Aug 2017.
England Is Mine has generally received mixed reviews.
Was this review helpful?
Yes
No
