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Last updated: 12 Jun 2026 at 01:39 UTC

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Review of by Radheyan Simonpillai for The Guardian — 09 Sep 2022

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The action is clumsy. The writing leans on tropes. The dramatic scenes overestimate the artistic range of a charming rapper-turned-actor like Bridges. And director Millicent Shelton makes some curious stylistic decisions along the way, whether it’s amethyst lighting or montages that have the feel of a R&B music video.

You can read the full review where it was originally posted online.

This review of End of the Road (2022) was written by and published by The Guardian on 09 Sep 2022.

End of the Road has generally received mixed reviews.

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