Review of Emily the Criminal (2022) by Richard Brody for The New Yorker — 11 Aug 2022
Ford creates a title character, played by Aubrey Plaza, who seems to carry a world with her, and he sets the action in a shadow realm of workaday grifters which emerges in fascinating detail. Yet that core of cinematic power gives rise to a modestly engaging but undistinguished, mundane movie, one that speaks as much to the givens of film production as to Ford’s own ambivalent achievement.
You can read the full review where it was originally posted online.
This review of Emily the Criminal (2022) was written by Richard Brody and published by The New Yorker on 11 Aug 2022.
Emily the Criminal has generally received positive reviews.
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